Where does Jiu Jitsu come from?

Brazilian jiu jitsu is evolving but evolving into what? Anyone who has trained in multiple jiu jitsu schools will notice the differences in philosophy and technical emphasis that exist between academies. Certainly, there is a common body of techniques and transitions that they all share; but what they emphasize is so different, so as to call into question whether the term “Brazilian jiu jitsu” will continue to be adequate in describing them all.

Either Brazilian jiu jitsu will reproduce new styles of martial art or it will continue to exist as a single combat sport, with disparate competition rule sets, the way Wrestling does. With the current state of jiu jitsu variety, simply saying one has a black belt in Brazilian jiu jitsu isn’t as descriptive as it was in the early 90’s. For the purposes of this article, I will oversimplify something that, for now, defies neat compartmentalization; I will describe what I see are the three basic modes of Brazilian jiu jitsu today.

In doing so, I acknowledge that this is based on my own limited and biased experiences with the art, in Florida and Southern California. I also acknowledge that the naming of these “modes” is problematic, as there is considerable overlap between all of them. Jiu jitsu styles are as varied and numerous as the people who practice it. Every jiu jitsu practitioner has a unique style, based on personality, aesthetics and physical aptitude. Nevertheless, the basic generalizations required to describe the current state of jiu jitsu work for the purposes of this article.

I agree with the expected rebuttal that it’s all jiu jitsu, “one flag” and a common lifestyle; but it won’t always stay that way. Nothing on Earth lasts forever; nothing living is free from the requirement of evolution; that which mutates and reproduces into varieties will thrive. Nothing stunts the development of life, intellectual or biological, the way inbreeding will; when a philosophical family tree takes the form of a double helix, falsehoods and imperfections linger in the gene pool of ideas. As things stand today, I see three main modes or ideologies of Brazilian jiu jitsu, each having the potential to become a distinct martial art: first-wave jiu jitsu, second-wave jiu jitsu and third-wave jiu jitsu.

First-wave jiu jitsu is the earliest iteration of Brazilian jiu jitsu, as taught and practiced by Carlos and Helio Gracie. First-wave was derived from an older form of judo but features a highly developed guard, smoother transitions between positions and an emphasis on leverage over athleticism. First-wave is for self-defense; the primary goal is survival. Because of his small and inferior physicality, Helio Gracie believed that if he fought a bigger, stronger opponent, and didn’t get KO’d or submitted, then he was the winner of the fight. First-wave jiu jitsu classes emphasize self-defense techniques against headlocks, bear hugs, sucker punches, hair pulls and wrist grabs. Students are also taught how to properly close the distance, taking the fight to the ground, without taking major strikes. First-wave practitioners are also taught to “stand up in base, ” a systematic way of getting up from the ground, that prevents one from getting knocked back down. The main question the first-wave answers is: what does jiu jitsu look like when someone is trying to punch me in the face? Generally, practitioners of first-wave frown upon some of the newer, read combat ineffective, techniques of sport jiu jitsu, such as donkey guard and the berimbolo. Vocal proponents of first-wave are Helio Gracie (RIP), Rorion Gracie, Rener Gracie, Rickson Gracie, Royce Gracie, Pedro Valente and Javier Vasquez.

Second-wave is the jiu jitsu of the second and third generation of Gracies, not mentioned in the previous paragraph. This is the jiu jitsu of Carlson Gracie, Carlos Gracie Jr, Renzo Gracie and the Machados. In some sense, it is the jiu jitsu of most Brazilian jiu jitsu practitioners today. Self-defense is taught in the second-wave but not emphasized. The focus of second-wave is sport, specifically IBJJF tournaments, Abu Dhabi and MMA. Second-wave is far more offense oriented than first-wave, as jiu jitsu tournaments and MMA matches are often decided by who wins the most points. Second-wave, like first-wave, puts relatively little emphasis on takedowns.

Third-wave jiu jitsu is a relatively recent and North American phenomenon, sharing with second-wave an emphasis on combat sport. Wrestling has been a staple of American and Canadian culture since at least the 1800’s, with catch-as-catch can giving birth to amateur wrestling and theatrical pro-wrestling. Because many American jiu jitsu practitioners wrestled in high school, it didn’t take long for cross pollination to occur. Third-wave is distinguished from second-wave in its deemphasizing of the gi, and the fusion of jiu jitsu with wrestling, something akin to what Rolls Gracie did in the 70’s. One of the most popular versions of this approach is exemplified by 10th Planet jiu jitsu. 10th Planet completely rejects the gi and encourages its students to invent new techniques. In Utah, Ricky Lundell, a black belt under Pedro Sauer who then wrestled for Iowa State, teaches a complete hybrid of wrestling and jiu jitsu, deemphasizing, but not completely abandoning the gi. Other proponents of the third-wave include Cesar Gracie, Jake Shields, Dean Lister, Eric Paulson, Chris Weidman, Firas Zhahabi and George St. Pierre.

The question is: will these modes or waves split off into three distinct styles, the way judo did in Brazilian jiu jitsu and Sambo? Or, will Brazilian jiu jitsu remain one martial art with three distinct modalities. In the USA, Wrestling is essentially one martial art with two different international rule sets: Greco-Roman and Freestyle. Greco only allows for upper body attacks; grabbing the legs or using the legs in grape vining (hooks) is illegal. Freestyle allows attacks to, and use of, the legs in attacking an opponent. Few look at these rule sets as two distinct martial arts; because Greco -Roman and Freestyle wrestlers both share the same heroes, myths, symbols and rites.

Shared heroes, myths, symbols and rites are required for a culture to stay cohesive. All wrestlers, whether they compete in Greco or Freestyle, respect and admire Alexander Karelin. Greco and Freestyle wrestlers both wear the singlet and wrestling shoes. Wrestlers, Greco and Freestyle, lack colored belts and instead earn “rank” through different levels of, and accomplishment in, tournaments. Different heroes, myths, symbols and rites are what separate Mormons from the FLDS, Judo from Brazilian jiu jitsu and Texans from everyone else. In the world of Brazilian jiu jitsu, the shared heroes, myths, symbols and rites of the Gracie family serve a purpose in uniting the Brazilian jiu jitsu community, despite the internal variety of practice and opinion.

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